While
many readers will take The Ocean at the End of the Lane as a parable for an
adult's hazy recollection of the intense feelings and dark fears and
fantasies of childhood, a more specific perspective is possible: this is Neil
Gaiman's gothic self-portrait, in the sense of a painter who depicts
himself looking in a mirror, his bemused image standing out centrally if
tentatively, embedded as it is in the composition among his favorite
semiotic objects.
Fittingly for a creator and writer of comics, it's also
Gaiman's superhero origins story, presenting how a figurative, residual
hole in the author's heart from childhood traumatic events has led to
his lifelong, genius ability to access his sharp, surrealistic
imagination for popular consumption and illumination.
10 years ago
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