A Ballgame with George

One summer, while living and sweltering in the Washington, D.C. suburbs, we decided to escape the city for an evening. We drove out on a Friday after work to see the Baltimore Orioles' single-A affiliate, the Frederick Keys, about 45 minutes to the northwest. Thought it was a little strange that there were metal detectors set up at the gate (this was a decade before the 9/11 attacks). Had there been a threat of some kind, we wondered? Inside it became more surreal, as we saw a bunch of uniformed, armed officers on the roof of the small ballpark.

Long story short, the late President George H.W. Bush, a serious baseball fan and former college player, was stopping to take in a game on the way to a Camp David weekend. We'd headed out to get away from Washington for an evening, and instead it had followed us. He was escorted in, waved to the crowd, threw out the ceremonial first pitch, sat somewhere in the seats above us, and signed a few baseballs that fans tossed up to him during the several innings that he was there. I'd like to say there's more to the story, say the offer of an Assistant to the Assistant Deputy Undersecretary of Commerce position (declined) or an invitation to a state dinner (accepted), but will have to settle for having garnered this brief, baseball-related anecdote to tell on the occasion of his passing.

Covert Horse

My latest guilty-pleasure TV show is Covert Affairs, on USA Network. It's like the defunct, geek-appeal series Numbers, without the math. Only this time, the clueless brother is in the field while the smarter brother is behind the scenes at headquarters. Only they're not brothers at all; rather, the field agent is a sexy, newly trained gal-agent recruit who can drive like Mario Andretti, throw an elbow like Gordie Howe, and hold a bewildered but meaningful facial expression for an extra beat whenever she processes new information like Judge Amy on Judging Amy; and the smart guy is a blind techie ops guy who gets her out of two types of trouble every three minutes, between commercials. And they're all in the CIA, not the FBI. Except that Charlie, the smarter brother in Numbers, was never actually in the FBI; he was a math professor who consulted for the FBI. And his colleague was an astronaut. And his father was Judd Hirsch, who used to be the guy in Taxi and Ordinary People; only this time the mentor is not Judd Hirsch but an ice-blond covert ops lady boss who is married to her boss, a politically connected CIA Deputy Director who is leaking information to a pretty reporter, whom the blind guy is sleeping with, while he deputy-directs a thorough shakedown of his division to stem the leak; which is why the blind guy can never answer the phone when Judge Amy needs him.

Perhaps I should have started by comparing the series to Bonanza.

Anyway, the horse comes through the wall in Covert Affairs at least twice per action sequence, which, while putting it on a par with Leverage, the statistical leader in the Implausible Moments category, is of little consequence in the realm of guilty-pleasure viewing. Piper Perabo is no Gina Bellman or Leslie Ann Warren; then again, Gina merely bowls you over with her classic beauty and Pan-European accent, assumes stock-character identities, and arranges helicopter pick-ups, whereas Piper as Annie Walker has to keep the very identity of her employer secret from her Georgetown Hausfrau sister, Amber from House, with whom she lives, only Amber isn't Amber in this series and hasn't appeared as anyone's spooky ambulatory hallucination as if she were one of John Nash's imaginary friends helping him develop the mathematics of Game Theory -- which Charlie, the smarter brother, calls upon weekly to illustrate a plot point in Numbers -- in A Beautiful Mind. At least, she hasn't yet.

Will she? Will the Deputy Director blame the leak on the blind guy, kick him to the curb, and start fooling around with the reporter himself? Will Annie Walker find love while successfully ingratiating herself with her Ice Queen boss -- who also appears in Leverage as Nate Ford's ex-wife who bailed Nate out of trouble while Gina Bellman was off having her baby, despite her lack of covert ops training and not being blind? Will Amber from House turn out to be a fellow CIA agent whose own ambulatory hallucinations involve Judd Hirsch? Most crucially, is Leslie Ann Warren -- who also played Juanita in Baja Oklahoma and Cinderella in Cinderella (A Very, Very Special Television Event), and whose star-turn in Mission Impossible set the bar for future spy-gals very, very high -- still smokin' hot?

The answers to these questions, and many more, are only a DVR box away.

How Life Imitates a Thomas Boswell Column

For decades, sportswriter and columnist Thomas Boswell of The Washington Post has penned beautiful, trenchant commentary. His baseball writing, in particular, captures the hard truths and romantic spirit of the game, mostly without succumbing to the wistful dreaminess so typical in the trade (except in his book titles: How Life Imitates the World Series, Why Time Begins on Opening Day, etc.).

Boswell always writes with a purpose to a cathartic conclusion. One professor of my acquaintance assigns his carefully crafted columns to her writing classes for basic training in rhetoric. Until his World Series preview column this morning, however, I hadn't sent a link to one of his WashPost pieces to a friend or relative for a couple of years, maybe more. Reading Boswell used to be a twice-weekly routine for me, a necessary act of recreation. Why no longer?


One answer: the rise of rapid-fire highlight and debate shows on cable. A high volume of quick, pithy takes on topical issues -- often at high volume -- has superseded the well-thought-out exploration of a single theme. In sports, Tony Kornheiser's and Mike Wilbon's Pardon the Interruption, a preeminent, high-quality example of this format, even employs a time bell to keep the discussion lively.

Another: On the Internet, vehement opinion-mongering in response to any mental stimulus has supplanted the omniscient, thoughtful, writerly voice of yore. Whether in politics, sports, or celebrity gossip, the role of today's columnists, talk-show hosts, and bloggers is to kick off an inflammatory debate that will maximize the number of page hits by rabid partisans. The inmates are in charge of the asylum. The tabloids have always been with us, to be sure, but careful consideration of topical issues by an informed commentator now seems as quaint as a Labor Day doubleheader.

But I think the primary reason is that Boswell's talent is largely wasted on covering the Washington Nationals, a quasi-replacement franchise for the team of his youth, the twice-departed Washington Senators. Brilliant writing about the nearby Baltimore Orioles in the Cal Ripken/Eddie Murray era could not assuage his grief and anger at Major League Baseball officials over not having a team in the Nation's Capital. Boswell's columns became a sweet, sad song of yearning for a new franchise to replace the loss and end the grieving. Along the way, he excoriated baseball leadership -- from the Commissioner-for-Life, to the Players Association's obstinate boss, to the Orioles' incompetent owner -- for debasing the game that he cherishes, and that his readers have come to cherish through his writings, week by week.


At long last, Boswell's prayers and entreaties were answered: Major League Baseball delivered a franchise to Washington. The Nationals, nee the Montreal Expos, arrived to play for D.C.-area baseball fans -- and were quickly confirmed as a flop, the new taxpayer-funded stadium sparsely filled, the new team's flaws ruthlessly exposed by baseball's unforgiving 162-game season. Even the best writer in the business can lose his edge when his lifelong dream is fulfilled, and it turns out to be a letdown.

But now comes the World Series, and life, like sportswriting, returns to the present tense. Boswell's beat shifts back from the local losers to the exalted winners. In his World Series preview column this morning, he sets up this year's classic match-up between the Phillies and Yankees -- brilliantly, concisely, and from several levels: analytical, critical, cultural, economic, inspirational. What he says about the World Series is...well, click here and enjoy the read. He says it better than I ever can.

Once again, Tom Boswell has made me care about this trivial, irrelevant, thoroughly wonderful game, infused with as much meaning as everything that's most important in my life. I sent the link to my friends.

A "Grammar Revolution", Close Quote

Astute readers of this blog will notice my fastidious habit of flouting one of the long-standing rules of grammar, boldly and intentionally.

(In addition to my use of snappy sentence fragments instead of sentences, that is.)

To wit: I cannot -- will not! -- place a comma, period, or other punctuation before a closing quotation mark if it is not part of the title, word, or phrase being signified in the first place.

This goes whether the referenced item is an actual title or merely a "gaggle of words" which, if you were to "speak aloud", you would "enunciate archly" while holding up two "waggling fingers" on each hand.

To illustrate, here are some examples from previous posts:

      Grammatical but Dumb: Scrabble People watch Patrick McGoohan in
          "Secret Agent."
      Much, Much Better: Scrabble People watch Patrick McGoohan in
          "Secret Agent".

Dagnabbit, if the producers had wanted to call the show "Secret Agent." with a period at the end of the title, they would have called it that!

      Grammatical but Dumb: The Dresden Dolls describe their niche as
          "Brechtian Punk Cabaret."
      Much, Much Better: The Dresden Dolls describe their niche as
          "Brechtian Punk Cabaret".

If Hal Prince had included a period at the end of the word "Cabaret", Liza Minnelli would have come to a full stop in mid-chorus. We'd never have heard her call us "Old Chum". How tragic!

      Grammatical but Dumb: I know how to spell and pronounce
          "Schenectady," "Schaghticoke," and "Rensselaer."
      Much, Much Better: I know how to spell and pronounce
          "Schenectady", "Schaghticoke", and "Rensselaer".

No Rensselaer-educated computer programmer would dream of placing commas that separate instances of listed string variables inside the quotation marks that demarcate those string variables! Can you say "Syntax Error"? Hel-lo, World!!!

Clearly, Strunk and White never read Programming for Dummies.

Ladies and Gentlemen, this revolution -- Our Revolution! -- Your Revolution! -- is gaining momentum! The need is urgent; the time has come. Our representatives in Washington must hear our voices. With your letters and, more importantly, generous contributions to the Committee to Avoid Misplacing Punctuation (CAMP), we will turn Congress in our favor on this "crucial issue".

(Right after it deals with the financial crisis and split infinitives, that is.)

Inauguration Day!

Flying Circus

So there I was, riding shotgun in the Cessna, when the Primal Scream Therapist told me to keep the wings level...

Perhaps I should start at the beginning.

A Carnegie Mellon grad student in the early 1980's, on a schedule and a budget, I needed to travel from Pittsburgh to Richmond, Virginia one weekend for a family wedding. I was rueing the cost of flying on the one hand and the time it would take to drive on the other. Buses and trains were indirect options at best.

By chance, I came across a 3x5 card posted in the student union: "Fly to Washington, D.C., any weekend, $50 round trip." Even in the era of People Express Airlines, I couldn't beat that. My parents would be driving from Washington to Richmond for the wedding and could pick me up. Terrific!

The pilot flew a rented Cessna four-seater. With my (ahem) exceptional ballast compared to the two other young passengers, it was decided I should ride in front for balance, putting me within close reach of the auxiliary steering wheel. (You're probably way ahead of me here...)

We're airborne. About halfway to Washington, the college-aged girl in the back announces, quite calmly, "I'm going to scream now." And she did: "Yyyyeeeeeeeiiiiieeeeeeghhhh!!!" I looked around. The pilot was seemingly untroubled by this outburst. Okay...

Again, as we got ready for the approach: "Yyyyeeeeeeeiiiiieeeeeeghhhh!!!" By then, I was reviewing in my mind a lengthy checklist of due diligence questions that I'd failed to ask before flying with this particular airline. Licensure? Insurance? Parachutes? Issues that never arise when one flies United. (Or never used to.)

We landed safely and taxied to General Aviation. The pilot swore under his breath as the Block Hours meter clicked once last time before shutdown, costing him an extra five bucks. We disembarked. Once more on the tarmac: "Yyyyeeeeeeeiiiiieeeeeeghhhh!!!" Naturally, heads turned from all directions: what manner of brutality had these men been inflicting on this pale, young lady in the blue skies above?

I got the full story from the pilot during the return flight. Yes, he was a therapist specializing in Primal Scream techniques, living in Pittsburgh, leading weekend group sessions in Washington. Yes, those were his patients in the back seat. Yes, he was licensed and insured. (I think.)

At the pilot/shrink's request, I held the co-pilot's wheel and tried to keep the wings level while he checked the aviation map, surely an apt metaphor for psychotherapy. Surely also an illegal act, for which the statute of limitations has hopefully expired for both of us.

In retrospect, it's probably best that we didn't know more about each other before I took the wheel. Had he known of my Driver's Ed encounter with the pigeons, he might have screamed.

A Different Look

"The thing about the Redskins' defense is, they give you a different look every time," said John Madden on the NFL game broadcast.

Not long afterward, I started to notice other things that give you a different look every time.

On Christmas morning, the Yule log in the fireplace gives a different look every time we stop smiling at each other long enough to catch a glimpse of it. (Never mind that it's a video loop on our TV screen.)

Seen from Bradford Beach in Milwaukee, Lake Michigan can look indescribably brilliant or exceedingly gray. The water can be a shocking deep blue or a muddy brown, placid or choppy, rippling or white-capped, roaring or calm. The shoreline can be a seagull's paradise or caked with ice, the beach a haven for sunbathers or a foreboding no-man's-land of storm fences. The sky over the horizon can be featureless or filled with cottony clouds, wispy cirrus clouds, or thunderstorms, sometimes minutes apart. Sometimes you can't even see the horizon.

Lake Michigan gives you a different look every time.

Here in Denver, it's the Front Range of the Rockies that gives you a different look, its alternately snowcapped and barren black and purple peaks changing both daily and with the seasons under spectacular violet, pink, red, yellow, and blaze-orange cloud formations that reach to the high sky.

In New York, it's the Hudson and East Rivers, flowing under commuter bridges to New York Harbor. In Boston, it's skulls being rowed on the Charles River; up by Dartmouth, it's the Connecticut River; near my Upstate New York hometown, it's the Mohawk River; all changing constantly, always the same. "All-ll this time/The river flowed", as Sting's song lyric puts it. The rivers give you a different look every time.

In Washington, D.C., lots of things give you a different look every time. The stately Potomac River; the reflections of the monuments off the Tidal Pool; the exhibits at the Smithsonian; the ballroom dancers at Glen Echo Park; the insane traffic patterns around Crystal City; the crystal lattice that forms from the branches and twigs in Rock Creek Park after an ice storm.

From January 20th forward, the White House will give us a different look, too. It's about time.