While
many readers will take The Ocean at the End of the Lane as a parable for an
adult's hazy recollection of the intense feelings and dark fears and
fantasies of childhood, a more specific perspective is possible: this is Neil
Gaiman's gothic self-portrait, in the sense of a painter who depicts
himself looking in a mirror, his bemused image standing out centrally if
tentatively, embedded as it is in the composition among his favorite
semiotic objects.
Fittingly for a creator and writer of comics, it's also
Gaiman's superhero origins story, presenting how a figurative, residual
hole in the author's heart from childhood traumatic events has led to
his lifelong, genius ability to access his sharp, surrealistic
imagination for popular consumption and illumination.
8 years ago